BJF wrote:Hi,
Here you go:
http://tagboardeffects.blogspot.se/sear ... l/BJF%2FMP
And no I don't mind and never did if anyone wants to build one for their own use or a friend.
Fun note perhaps is that when doing the Bearfoot version some nice 2N1309 had been scouted for another model and I could not resist to try and liked that.
Original BJF model has same circuit but all were made with silicon metal cans medium gain drivers.
have fun
BJ
BJF Electronics
roseblood11 wrote:@ the3secondrule: Could you measure the hfe of all transistors and the leakage of the 2n1309? That would be helpful to understand the biasing...
deep_intruder wrote:In my opinion there are two mistakes, the two caps: 1u and the 4n7 of the last fet, both must be wired to the drain and not to the source!
smanq wrote:deep_intruder wrote:In my opinion there are two mistakes, the two caps: 1u and the 4n7 of the last fet, both must be wired to the drain and not to the source!
I think the 4n7 cap is right connected to the source (like on other BJF circuits), but the 1uf cap (the circuit output) must be connected to the drain.
deep_intruder wrote:smanq wrote:deep_intruder wrote:In my opinion there are two mistakes, the two caps: 1u and the 4n7 of the last fet, both must be wired to the drain and not to the source!
I think the 4n7 cap is right connected to the source (like on other BJF circuits), but the 1uf cap (the circuit output) must be connected to the drain.
I do not know how is the original, but the layout from tagboardeffects.blogspot.se is as I said.
deep_intruder wrote:In my opinion there are two mistakes, the two caps: 1u and the 4n7 of the last fet, both must be wired to the drain and not to the source!
smanq wrote:OK, the schematics reflect the board layout.
But if the A50K pot controls trebles, I confirm what I said before.
If we connect the 4n7 cap to source, when the wipe is full CW, both first and last stages have a boost on high frequencies (exactly a low cut on first stage); when the pot is full CCW last stage is around linear (4n7 has no effect on circuit) and first stage has a boost on low frequencies. It's same behavior we can see in other BJF circuits, like honey bee. So, in this way: CW=treble boost, CCW=bass boost.
If we connect the 4n7 cap to drain, when the pot is full CW we have a treble cut on last stage and a low frequencies cut on first stage (around a non sense); when the pot is full CCW last stage is around linear, the first stage has a boost on lows. This behavior for me is strange: CW=treble cut, CCW=bass boost.
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