Original effects with schematics, layouts and instructions, freely contributed by members or found in publications. Cannot be used for commercial purposes without the consent of the owners of the copyright.
Original Tracer Layouts A collection of original layouts for vintage guitar effects. If you want to build real replica's of vintage pedals, this is the forum you want to look at.
This page tries to keep the available projects indexed.
If you want to share files to build a effect that's not yet (widely) available, it would be a pleasure for us to host it here.
The projects should be verified , though, and at least contain a schematic , some layout file (transfer, vero, perf) and a component layout file .
Incomplete or unverified projects will be moved to the Projects in Progress folder: if you fall upon such a project, please report the...
The Fulltone OCD has been an overdrive favourite for many years now. It's got a really nice tone when your amp is set right (I prefer it with Marshalls I must say). Well, I've always thought about modifiying the basic circuit (which itself is based around the old Voodoo Labs Overdrive) to give it a little more variety and use over a wider spectrum of tones.
As you can see the Super OCD has a few extra controls:
- Firstly the Bass control - it's nicked from Paul C's Timmy pedal...
ttv42-68-33-1.png I'll start off with a little background.
I don't know much about electronics.
I soldered my 1st circuit about 3 months ago but have immersed myself in schematics and breadboards the whole time.
Also I'm probably the only person out there that is breadboarding and testing with a single coil lap steel and a cheap karaoke speaker.
So that said any and all feedback and analysis with different setups is greatly appreciated.
I started with a Bazz Fuzz and cascaded between decades...
Hi folks
I have not built this one as yet, but see no reason why it will not work :D
This one is based on the Marshall JVM410 OD1 high gain channel (up to just before the passive tone stack as with all my recent high gain preamp models).
Hope some of you enjoy building it :wink: and as usual - vero, perf or pcb layouts are most welcome :thumbsup
cheers
bajaman
Baja JCM overdrive pedal 9v 040218.GIF
i had some free time at work in between setting up a $120,000 console for the HeeHaw band and wrapping cables for 3 1/2 hours because of the lack of a proper mic snake (oh, the irony :slap: ), so i thought i'd take the chance to whip out a few vero layouts. AG has been nice enough to draw up a proper JFET booster, so i thought i'd start with that. I doubt if i'm actually going to build this up, as i really don't need another clean boost, but it would be nice if we could at least give it a once...
Since lockdown had me working from home all spring/summer, I spent about 6 months working on this project. It uses four PT2399 chips in parallel, synchronizes delay time using the four PWM outputs of an ATTiny841, has tap tempo, and the usual suspects of individual toggles for playback and feedback for each of the four heads . The swell control simply turns on all delay stages for playback, and the drift control changes the ratio of the delay times for the repeats (I should change the default...
Since I was having so much fun playing around with PT2399's this summer, I also thought it would be fun to do a DIY reverb pedal that didn't use a Belton brick or FV-1. I know designs with those are plentiful and common, but I'm a cheapskate and didn't want to spend around $20 for a single component. Instead, I designed this pedal with 4 PT2399's and controls for size, mix, dwell, and a mode switch. The mode switch is subtle, and has a slightly different effect depending on the setting of the...
Hi folks
here is a new design I have been working on using Russian 6N17B double triodes which I bought from urals shop on Ebay a couple of years ago!!.
a few design challenges - they don't behave the same as 12AX7 or ECC83 twin triodes, but they are small enough to shrink my Real Tube Overdrive down to fit in a 1590B enclosure :lol:
In the meantime here are some pictures of the prototype.
cheers
Steve DSCF0001.jpg DSCF0002.jpg DSCF0003.jpg DSCF0004.jpg DSCF0005.jpg
a preamp i built to directly record guitar into my Digital Audio Workstation
I dont like the free vst plugins, so this was an alternative to micing up a guitar amp
You could also use it straight into a power amp
I modified our guitarist's little Marshall MG30FX and added a line in 1/4 jack. The amp had a 1/8 line in for a MP3 player, but i added the extra input so he could still use the effects on his amp when using this preamp.
One other mod i did to this little amp was to add an extra 4700uF...
I found some pt2399 in my component box and I want to build a delay but there are many models on the net and I would like to know which one is the best in terms of clarity (I know that the pt2399 is already a bit noisy) but I would like to know Any recommendation
Finally!! I want to do this since I start drawing some cicuits.
In short schemos founded in the net are a little confuse, so I decided to redraw it.
It's based on this one, founded in a very helpful page:
EHBadStone.sch.gif
And the next is my atempt
BAD STONE.bmp
Is checked as far as I can do it, but if somebody see some mistakes (because always are) please, tell me and I'll fix it.
This is my take on the original 1978 DS-1 schematic where I've fixed issues of that awesome pedal to be great in a modern rig:
- The first transistor gain stage has control for amplification level. It gives you an option to adjust your instrument's level with high output pickups, prevent the effect from fuzziness , and get more variations of a drive.
- Mid scoop is moved from ~500Hz in original DS-1 to a more pleasant 700Hz.
- Has added mids control to pass from scooped to boosted mid...
Hi guys and gals
Just a short note to let you know, I have designed a BBE Sonic Stomp circuit board etc. using easily obtainable TL071, TL072, And TL074 ICs
I have also designed a replacement daughter board for a Sonic Stomp repair - Too hard to get an NJM2150AD chip locally, so necessity being the mother of invention, I designed and built a working replacement - just installed and tested it too!! Works a treat :wink:
Stay tuned - a complete project will be posted in the coming week
:D...
Happy New Year to all the good folks here at freestompboxes.org.
Here is a new design that I have been working on over the last few years - a pedal designed to mimic the performance of a typical negative feedback tube amp power stage driving a Celestion quad box or similar.
The pedal has the negative feedback presence and depth (resonance) controls typical of Soldano, Marshall, Fender, Peavey etc.
Tube power amplifiers have a high output impedance compared to solid state class AB and digital...
Hi folks
Here is a little overdrive / distortion pedal I knocked up on veroboard earlier this evening. Based on a modified Boss DS-1 with an active high and low tone control section - sounds really nice and simple to build. I may get some boards fabricated if sufficient interest in building it, in the meantime here is the schematic and picture of the finished verified pedal.
cheers
bajaman :D
Baja Highway 1 120118.GIF
IMG_3388.JPG
It has been a long while since I posted any new projects - my apologies, sometimes life gets in the way ;-)
Anyway here is a little project that can easily be installed in your guitar and is extremely miserly with regards to current drain, so your battery should last for at least a year - probably longer!
If the battery goes flat during a gig, no need to worry just switch the preamp /buffer off and you are back to stock passive wiring in your guitar.
The idea for this little project came from...
Hi Guys and Girls
Here is a little circuit snippet that I have been using for some time - it eliminates the need for a triple pole switch and provides a very high input impedance (so you won't lose tone)AND a very low output impedance for driving other effects following.
ALSO - you will never be plagued by that switching pop that you get with most true bypass schems - this baby is virtually NOISELESS and transparent.
The circuit is by no means original - but you can stick it in front of any...
I thought I would give this a try and I am damn glad I did! I used the original Uberschall tube amp schematics that I found by accident while looking for something else... This thing is a beast, butt loads of high gain!! :twisted:
I made a few changes here and there but for the most part it's true to the schematic. I removed a resistor (470k) going to the volume pot because the volume was a little too low. I added a gain/saturation boost switch and of course the diodes between source and gate...
The idea for this pedal was that I had some low gain AC128 transistors (~27 & 60 hfe) laying around, why not try and come up with a germanium overdrive. I watched a JHS video about stacking pedals and a That Pedal Show video about hitting a overdrive pedal with a rangemaster (to mimic a rangemaster going into a cranked amp) then put this together. So it's starts with a more full range rangemaster into a germanium ce amp then a lpb-1/ce amp to add volume after those first two stages. I like it...
I've been working on this idea for a while, trying different designs to mix together an overdrive and clean signal using a dual gang pot.
It started life as a modified DS-1/Big Muff hybrid, which I couldn't get to work so I went with this. It's an electra distortion and parallel common emitter stage with big muff tone stage and another CE stage on the output.
Sorry not sure why I can't get it to embed the video.
Back in the 80s, we played around with ways of avoiding putting those nasty Transconductance Amplifiers in the audio path. The problems of the Dynacomp (and its derivatives) are well known, and many musicians didn't like the grab and release operation of that type of compressor. The limitations of optical types are well known, too. A guy called Wa at Maxon came up with a good idea - feed the audio through a low gain transistor or FET stage, and introduce variable negative feedback using a 3080....
The legendary Burns Buzzaround was a slightly unusual germanium fuzz that achieved its (undeserved) reputation for two reasons - some great guitarists used them, and they are virtually unobtainable. The original consisted of two stages - a two-transistor amplifier and a distortion stage that could have both the amount of signal sent to it and the bias point adjusted by external controls. The third control was a crude tone control which fed the output. Originally, the output was unbuffered, and...
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