Davoli - 535 Petit aka Jolly - 2x8" EL84 Vibrochamp  [schematic]

Tube or solid-state, this section goes to eleven!
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modman
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Post by modman »

davoli-jolly_08.jpeg
davoli-jolly_01.jpeg
davoli-jolly_04.jpeg
davoli-jolly_06.jpeg
davoli-jolly_05.jpeg
The date on the schematic isn't really 1955, is it?
Wouldn't that be very early for solid state rectifier?
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Post by ppluis0 »

Quite interesting is the tremolo generator (at the upper part of the diagram)

Consist in a neon bulb connected as a relaxation oscillator and a shaping network to alter the grid polarization of the very first triode stage.

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Post by deltafred »

It was probably fitted with a selenium plate bridge rectifier originally, which has been replaced by a modern silicon bridge much more recently. There is a space on the board where it was probably mounted.

If memory serves me correctly you could usually tell when a selenium rectifier had burned out because they gave off a smell very much like rotten eggs.

The EL84 came out in 1953 so it could possibly be from 1955.
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Post by modman »

ppluis0 wrote: 03 Jan 2023, 18:07 Quite interesting is the tremolo generator (at the upper part of the diagram)
Consist in a neon bulb connected as a relaxation oscillator and a shaping network to alter the grid polarization of the very first triode stage.
Thanks!
https://en.wikipedia.org/wiki/Relaxation_oscillator says it at least requires a tunnel diode... I learned a lot but still don't get how it works without an active stage.



I found a better resolution copy of the schematic, it's still 1965:
Krundaal 535 Petit Jolly .jpeg
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Post by ppluis0 »

Everything you always wanted to know about neon lamp oscillators (but were afraid to ask...) :mrgreen:

https://en.wikipedia.org/wiki/Pearson%E ... son_effect

Cheers,
Jose

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Post by deltafred »

A neon is pretty much a high voltage tunnel diode. It starts to conduct when there is somewhere around 90v across it and stops conducting when the voltage drops to around 60v. (All voltages from memory and probably dependant upon the neon used.)

To make an oscillator you put a capacitor across the neon, which holds charge and discharges into the neon once it starts to conduct. You feed this from a higher voltage through a current limiting resistor.

The charging time (off period) is determined by the applied voltage, and capacitor and the resistor values.

The discharge time (on period) is determined by the capacitor value and the current drawn by the neon.
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Post by ppluis0 »

Hi folks,

I think I'm on the verge of derailing this thread, so let me add a last piece of information about neon lamps that is featured on the Effectrode page:

https://www.effectrode.com/knowledge-ba ... -in-depth/

This is something I found interesting about the neon+LDR module (nicknamed "Trem-Bug") used by some models of vintage Fender amps:

Image
The Secret Life of “Trem-bugs”

Even today, the old-school tremolo tube circuitry within Fender’s ‘Blackface’ and ‘Silverface’ amplifier models still harbours some secrets.
Secrets that have a direct bearing on its function and tone. Secrets that amp gurus and proud owners of these gorgeous guitar amps will undoubtedly find fascinating.
Firstly, the “NE-2” glow lamp used to make the trem-bug. It should be a type “NE-2U”, as opposed to the more common “NE-2H” lamp. The NE-2U is a high brightness indicator lamp and was specially designed for the purpose of controlling photocells.

A small amount of a radioactive additive was added to the neon gas, specifically Krypton-85 gas, which improves the lamps start-up reliability when operating in complete darkness (a.k.a. the “Dark Effect”).
Being radioactive, Krypton-85 emits β-particles (electrons) and these help the neon to ionise and strike more reliably when a high voltage is applied.
Unfortunately, Krypton-85 has a half-life of 11 years so it’s effect gradually diminishes over the years: after a few decades, these lamps still work, but don’t strike as enthusiastically as when they were brand new.
This is one of the rare cases where it’s better to use a new tube rather than NOS one.

Image

Secondly, the photocell in the trem-bug is a TO-8 (approx 11mm ⌀) CdSe (cadmium selenide) type, not CdS (cadmium sulphide). CdSe photocells typically exhibit a significantly shorter time constant than CdS photocells (approximately 10 milliseconds in contrast to 100 milliseconds); in layman’s terms means they’re faster. They’re also more sensitive to red light in the colour spectrum, as shown in the graph above. Ionised (glowing) neon gas emits distinct frequencies of light, with its highest spectral peaks being between 600nm-690nm, which means both types of photocell will exhibit resistance changes in response to light, however the CdSe device will respond more rapidly. Finally, a CdSe photocell can easily be distinguished from a CdS type as they’re black in colour, rather than bright orange.
Finally, LDR's cannot currently be used in devices that have to comply with ROHS directives, so they will not be present in any current design.

Cheers,
Jose

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Post by modman »

hey José, derail all you like...



I found and old youtube clip -- not the best quality, but it gives some idea of this tremolo... and I think it doesn't sound too bad. If it doesn't sound great over all, I think the speakers are to blame. It seems like most of these Italian amps use radio speakers...
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Post by deltafred »

Yes they look very like the old 50's/60's radio speakers.

I've blown more of those than I care to remember back when I started playing and couldn't afford anything better. (All harvested from scrap radios.)
Politics is the art of so plucking the goose as to obtain the most feathers with the least squawking. - R.G. 2011
Jeez, she's an ugly bastard, she makes my socks hurt. I hope it's no ones missus here. - Ice-9 2012

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