I modified a Maestro FZ-1B to have more muff like gain stages but I'm wondering if there are any foreseeable issues? This is my first design, I've already test built it and it seemed fine (and sounded very fun) but I don't know a lot about electronics. I wired it up with a 3PDT and an LED. Here's what I came up with, please criticize.
hmmm, looks good, but im kinda confused why you'd need 2 volume(?) controls. maybe you could put another resistor (10K perhaps) on lug 1 of the pot before the 47K and feedback switch.
how does it sound on breadboard?
signatures are for the weak.
FiveseveN wrote:
considering the low quality of the transistors and caps
Are Asian electrons inferior to American electrons?
The first pot is a blend pot to give you a mixed fuzz/clean sound. The switch disables it.
It sounds pretty decent. Smooth and medium gain.
I'll post a clip tomorrow. I'm a newb and I'm worried about my diy pedals damaging other pedals due to a dumb oversight on my part. Am I just being paranoid?
I can't see any real way that you could damage any of your pedals, unless you fed an unusually large signal into them, or maybe used too high a voltage to power them...
By the way, your design looks fine to me.....
Genius is not all about 99% perspiration, and 1% inspiration - sometimes the solution is staring you right in the face.-Frequencycentral.
Oh yeah, this was recorded through a P90 Neck pickup into the fuzz -> Vox AC4TV and recorded with an SM57 into my interface. The fuzz is dimed and the volume is in full until the last 1/3 of the clip when I dialed the volume back to 2 o'clock.
not bad! but there is a down side- now yer hooked! expect to spend hours fiddling over a breadboard playing the same 3 chords, over and, over and, over and, over...
"You've converted me to Cubic thinking. Where do I sign up for the newsletter? I need to learn more about how I can break free from ONEism Death Math." - Soulsonic
RnFR wrote:not bad! but there is a down side- now yer hooked! expect to spend hours fiddling over a breadboard playing the same 3 chords, over and, over and, over and, over...
This is so true. My girlfriend thinks I only know one riff!
RnFR wrote:not bad! but there is a down side- now yer hooked! expect to spend hours fiddling over a breadboard playing the same 3 chords, over and, over and, over and, over...
so true, man, so true
signatures are for the weak.
FiveseveN wrote:
considering the low quality of the transistors and caps
Are Asian electrons inferior to American electrons?
DrNomis wrote:I can't see any real way that you could damage any of your pedals, unless you fed an unusually large signal into them, or maybe used too high a voltage to power them...
By the way, your design looks fine to me.....
I knew some geezers playing with a fuzz pedal, wondered if it would sound better (louder? I dunno) connected between the amp and the speaker.
it didn't.
I only know 3 chords, and only after looking in the book.
now the hard part of prototyping, coming up with a name.
before i looked up "dimed" i always though that's how you spell "dimmed", which is of course the opposite. So i was always wondering why anyone would talk about speakers working hard when the amp is dimmed. lol one of the reasons i finally looked it up.
Yeah, I'm Canadian. If amps really did go to 11 then our terminology would be shot.
Thanks for looking this over. I'm really quite fond of it. I built one into a hammond enclosure and it now has a home on my pedal board (beside the FY-2 clone I just built). Here's a pic.
Photo on 2011-02-24 at 09.04.jpg (19.45 KiB) Viewed 2018 times