Original effects with schematics, layouts and instructions, freely contributed by members or found in publications. Cannot be used for commercial purposes without the consent of the owners of the copyright.
Interesting, Manfred. Recently, I measured bunch of random silicon NPN transistors (wired as diodes) in my stash with my DVM set to the diode mode. Most seem to have about a 0.6V - 0.7V forward voltage. I wonder how germanium would compare to silicon.
Hi Bajaman, great work yet again, I've just had a quick look over the schematic but wonder if IC1B will bias correctly without a resistor from a point on the non inverting input to Vb ?
It's fairly straight forward, if you want to start it , press start. You can work out the rest of the controls for yourself !
No silicon heaven ? preposterous ! Where would all the calculators go ?
I've just had a quick look over the schematic but wonder if IC1B will bias correctly without a resistor from a point on the non inverting input to Vb ?
my mistake in the drawing - here is the correct schematic
cheers
bajaman
I've just had a quick look over the schematic but wonder if IC1B will bias correctly without a resistor from a point on the non inverting input to Vb ?
my mistake in the drawing - here is the correct schematic
cheers
bajaman
Baja MDR overdrive pedal 9v 060218.GIF
, yeah that'll sort it,
It's fairly straight forward, if you want to start it , press start. You can work out the rest of the controls for yourself !
No silicon heaven ? preposterous ! Where would all the calculators go ?
I just built this today in an old jfet DR Boogie enclosure - used the existing tone stack and added a small gain stage after it to recover the signal level - works surprisingly well and the output level when the tone stack is engaged is only slightly louder than when it is bypassed
enjoy
bajaman
I'm actually surprised there is any difference between the dual rec and the SLO pedals, given the preamps are all but identical.
The mesa has a different power amp and NFB circuit, does your pedal design take the power amp characteristics into account too?
I'm actually surprised there is any difference between the dual rec and the SLO pedals, given the preamps are all but identical.
The mesa has a different power amp and NFB circuit, does your pedal design take the power amp characteristics into account too?
No - these pedals only imitate the frequency and phase responses of the preamp section up to the passive tone stack.
yes - i was surprised that the response of the mesa DR is quite different to the Soldano SLO - incidentally the original Peavey 5150 was very similar to the SLO as well with an additional two gain stages which introduce the hiss that these amps are noted for
Here are the plots for the frequency and phase measured at the output just before the tone stack - the red line is the Mesa Dual rectifier schematic simulation and the green line is the baja pedal simulation.
As you can see they are very closely matched between 100Hz and 100kHz.
cheers
bajaman
Very cool, Bajaman. Are you using Spice to simulate the real amplifiers? I've been doing that with some of the old Vox solid state preamps - the main issue is how to translate the original circuit to a 9v solid state pedal. With discrete transistors, it's relatively straightforward, but with tubes...hmmm.
Another quick question. How important is it to match the phase? I've modeled preamps in LTSpice and have mainly looked at waveforms (output versus input sine waves at specific frequencies) and the magnitude of AC frequency sweep.
Very cool, Bajaman. Are you using Spice to simulate the real amplifiers? I've been doing that with some of the old Vox solid state preamps - the main issue is how to translate the original circuit to a 9v solid state pedal. With discrete transistors, it's relatively straightforward, but with tubes...hmmm.
Another quick question. How important is it to match the phase? I've modeled preamps in LTSpice and have mainly looked at waveforms (output versus input sine waves at specific frequencies) and the magnitude of AC frequency sweep.
I use a program called Multisim by National Instruments - I use the tube amplifier schematics to derive a working model and then try to get the same frequency, phase and clipping response characteristics as this with a much lower 9v supply rail. Often this requires lowering individual gain stages considerably to avoid early clipping of the 9v supply rail
I feel the phase response is just as important as the frequency response in defining the "sound' of these pedals. The frequency response is only showing you a two dimensional realisation of the amplifier's response - the phase angle shows you what is happening in the 3rd dimension - a sine wave is not a "roller coaster" in reality it is a "helix".
Try to visualise this waveform in 3 dimensions and you will see that the zero crossing points are actually the same height and depth as the "roller coaster" two dimensional sine wave BUT below and above the flat sheet of paper I hope that makes sense for you all
cheers
bajaman
Thanks. In looking MDR schematic, I can see the correspondence between the op amp gain stages and the tube stages in the real amp. I suppose there is an "art" to modeling the tubes with op amps but I'm assuming this process could be applied to most any amp. (Like a Vox AC-30??? ) Well, I suppose you also need to factor in the power amp to get fully authentic tones, but the two projects that I've built so far on the breadboard sound great. Hope to get the Highway 1 built on vero this weekend!