G.Bisson wrote: ↑03 Aug 2022, 16:11
I was preparing to mod my bass big muff and found this schematic very helpful. Component numbers on Dylan's schematic didn't match labels printed on the pcb I had. I went over the schematic and marked it up to match the pcb I had. My PCB version is EC-D40 Rev.A, identical to Dylans . There is a number printed in the top right corner of the pcb written in LCD alarm clock font that is likely a production code. My pcb had 0943, built 43rd week of 2009...
Thanks for the work you put into perfecting this. At the time I made no effort to match the pcb labels, or desoldering every single smt capacitor to be sure of its value. I guess that's not necessary anymore. Interesting that the differences are even less from a standard muff if those capacitors add up to the same value.
In addition to the pcb number and revision, the alarm clock code says 0909, so it's from the beginning of 2009. I'm attaching a picture if you find other details of your interest.
About my unit, I got it used in not the best aestethic conditions, and replacing the footswitch is one of the first things I had to do. Congrats for keeping the original pcb daughterboard. Personally, I have no use for those things, so after confirming it's the traditional true bypass I rewired it by hand. I also have some mods, inspired by zorgeffects and made before I knew how to do things my own way.
One three-way switch changes between stock, led and lift clipping for both stages; the other adds 33n or 10n in parallel with C9 on the board (analogous to your mid shift), which we now know means adding even more mids to the already flat tone stack. The third switch is a silly feedback switch. The pot on the side is a bias mod, which might actually have been not just copied from somewhere: a 1M pot in parallel with R3 on the board, which goes from standard to completely cut off, unlike the zorg one that pulls the base up to 9V. The final pot on the front is a "master volume", which is a simple fix I had found online to counteract the two other modes making the pedal louder and the dry level being stuck at unity. I'd probably do half of these differently now, but it's been like this for a while since the bigger muff has covered most of my recent muff needs.
One thing I wanted to say is that yours isn't the only way to "defeat" the tone stack: a popular one I'm a fan of lifts the capacitor and resistor from ground. In practice, one could twist their ends off the pcb and ground them with a switch, or otherwise scrape two traces. Not only you keep the bass boost functional, but you avoid creating a positive feedback loop around that op-amp.
Cheers, it's been fun revisiting this one.