Ain't got the time to trace the schematic of the unit. Anyway, there's a lot of SMD components in it and my eyes are getting old.
But I've added a tone control to both of my TP's.
I've first tried a tone stack like in the Butler Tube Driver. Nice but (as expected) there was too much insertion loss.
So I've tried something simpler, in parallel with the smoothing cap already there (itself reduced @ 1,7nF thx to a 1nF + a 680pF in parallel in this case). Recipe applied:
-center lug of the volume pot to center lug of a LOG 50k pot (I insist on "LOG", not linear);
-ground lug of this tone pot to a cap of a higher value than the smoothing one;
-end of this higher value tone cap to ground lug of the volume pot.
With 47nF or 22nF caps, It works half like the "presence" control of a Hot Cake, half like a "contour" control on old Marshall Valvestate's.... It's not really useable at zero (where it mimics the tone stack of an amp with bass full up and other controls zeroed). Maybe then it would be better to add a resistor to limit the amplitude of the pot but it's a detail...
The tone pot is easy to install on the right side of the pedal, perpendicular to the volume pot and next to its axis, between the back of the PCB tube socket and the input jack...
The bottom housing is made of soft metal and relatively easy to saw: On the top of the right "wall", I made two vertical incisions of 1,5cm with 1 cm between them then worked the small bit of metal with a plier until I could break it. It opened a rectangular windows of 1x1,5cm @ 9cm of the lower bout and 2,9cm of the upper side, giving enough space for the pot. Then a pair of washers and a screw was used to attach the whole thing to the metal housing...
I should have done that before since I'm very pleased by the effect of this added control: without too much volume drop, it gives big bass and scooped mids on request and tames the "raw" upper mids of the TP in a musical way.
EDIT- I've realized that my two TP's didn't react so well to a same tone cap value (which seems understandeable since they never sounded identical, even when they had both the same stock Bugera Tube). My various amps didn't react equally well to the added tone pot either. So one TP has been left with a 47nF tone cap and the other, with a 22nF. A 10nF was expected to work since it's a value often found in pedal tone circuits but in this case, it failed: by diminishing high frequencies without scooping enough the high mids, it was just muddying the sound.
EDIT, bis - Also forgotten to precise that I often use my TP's after a treble booster or pre-drive FX goosing the (high) mids. Hence my move towards a darker high-midrange, as allowed by an added tone control. For those using a TP alone, letting the added tone pot full up or not lower than 6/10 would be logical to avoid a too bassy response...
FWIW.
And, some good (or not so good) pics being better than a long discourse...
