But the mic can be more prone to feedback than the piezo.
I use something like this:
http://www.google.com/patents/pdf/Sound ... nrGirEoUFg


The simplest schematic:

You can use the cap value to tame the bass.
1) You pick a cube of foam, slightly deeper than the guitar body and a little wider than the soundhole;
2) Draw two concentric circles, one of the soundhole diameter, the other a little wider.

3) With a knife or scissors, cut the foam making a ring.

4) Attach the mic to the foam. The foam serves as a mic mount.

5) Stuff it inside the guitar, through the sound hole. The mic wire can pass through the soundhole if you don't want to drill the guitar for a jack. You can rotate the ring to change mic position.

Good sound and reasonable feedback rejection (the foam insulates the mic from "external" sound and also dampens the soundboard just a little - that is good when amplifying guitars).
You can use a "generic" no brand electret mic, a "skype" mic or a lapel mic. The panasonic electret mics are considered very good.
Another option, using an electret mic:
1) get a small wooden block (pine) 2cm x 2 cm x 4 cm
2) drill all the way at the center of the block with a small drill (enoufg for the mic wire).
3) Make the hole larger (enough for the mic), but only for half of the length of the block;
4) It looks like this:)
Code: Select all
__________________
| ______|
|___________|
___________
| |______
|__________________|6) Sand the block and finish it with lacquer (optional, but looks good).
7) Glue it to the sound board with pickup adhesive or with double sided adhesive tape.

A poor man's AKG C411.

