Tremolo in small SE amps ?
Posted: 09 Nov 2008, 23:37
Hi folks,
Besides all the classic mods for all these 5W class A tube amps (you know : AX84, Epiphone Valve Jr, Harley Benton GA5, Blackheart, Ibanez Valbee, Peavey Nanovalve, etc.), i was wondering how i could add some vintage tube tremolo circuit.
(briggs, you're not the only one with a hole to fill in a Valve Jr.
)
Most of the tremolo amps are in fact in push-pull configuration, and the class AB bias point is modulated by the LFO.
I've eventually found 4 ways to get tremolo in a single-ended configuration :
Which one sounds better ? I've read enthousiast reviews of the VibroChamp, but none of the Gibson or Kalamazoo.
Which one is easier to tweak ? I'll have to read again the tutorial from Aiken Amps : http://www.aikenamps.com/PhaseShiftOscillators.html
It looks like the simplest designs only have a Speed control, is it possible to add Intensity also ?
I'm working on a Harley Benton GA5, and i have a handful of NOS Russian 6N3P.
I guess the power transformer will not allow for more than one additionnal tube (the 6N3P needs 350mA@6.3V), and my plan is to use one triode for tremolo and one for some kind of booster/second channel, or as EQ recovery. Or you may have better suggestions ?
Besides all the classic mods for all these 5W class A tube amps (you know : AX84, Epiphone Valve Jr, Harley Benton GA5, Blackheart, Ibanez Valbee, Peavey Nanovalve, etc.), i was wondering how i could add some vintage tube tremolo circuit.
(briggs, you're not the only one with a hole to fill in a Valve Jr.
Most of the tremolo amps are in fact in push-pull configuration, and the class AB bias point is modulated by the LFO.
I've eventually found 4 ways to get tremolo in a single-ended configuration :
- Modulation of the Cathode bias of a preamp tube. This requires a double triode, one for LFO and one as cathode-follower. Examples are the Fender VibroChamp and the Supro S6616.
- Differential amp modulation. Requires only one triode as LFO, sharing its cathode resistor with a preamp tube. I seems to me that Intensity adjustments affects the overall bias of the stage ? Examples : Marshall 18W and Kalamazoo-2
- Master-volume like. Also one triode as LFO, mixed with the signal before the power tube. Examples : Gibson GA1-RT aka Maestro M1-RVT (note the clever use of triode-pentode tubes)
- Some also apply LFO to the screen grid of a preamp pentode (Vox AC-4), but it's not an option for me as i have triodes.
Which one sounds better ? I've read enthousiast reviews of the VibroChamp, but none of the Gibson or Kalamazoo.
Which one is easier to tweak ? I'll have to read again the tutorial from Aiken Amps : http://www.aikenamps.com/PhaseShiftOscillators.html
It looks like the simplest designs only have a Speed control, is it possible to add Intensity also ?
I'm working on a Harley Benton GA5, and i have a handful of NOS Russian 6N3P.
I guess the power transformer will not allow for more than one additionnal tube (the 6N3P needs 350mA@6.3V), and my plan is to use one triode for tremolo and one for some kind of booster/second channel, or as EQ recovery. Or you may have better suggestions ?