stompbox wiring... messy vs. neat

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indyguitarist
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Post by indyguitarist »

Just came across this:
http://www.muzique.com/news/spaghetti-wiring/

Many of us are sticklers on neat wiring, I'm curious to hear thoughts on the above article.
bw

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lolbou
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Post by lolbou »

It looks better when neat 8) , but, yes, the shortest way sounds like the best idea...

I don't really think that the extra path added by neat wiring add that much noise or capacitance by the way...

But I do believe that coupling the appropriate wires together helps with noise...

Anyway, it's a nice subject you bring here in the Café, I look forward some more opinions! :applause:
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Post by frequencycentral »

I like neat. Never had any problems with parallel ribbon cable, in stompboxes or synths.

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Post by Scruffie »

I don't think you'd really get a problem unless perhaps it was in a huge multifx board with metres of cable, but it is a good excuse to have messier wiring atleast and claim it's been wired in a 'special' way.

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Post by soulsonic »

If I do stuff on a circuit board, it usually turns out fairly neat; but if I wire point-to-point, it usually looks pretty chaotic.
Generally, I try to avoid making a wire unnecessarily long just for the sake of neatly routing it around the perimeter of something. That goes for my PCB designs too - I usually have the pads for the connections to the controls and whatnot pretty much right at the spot where they connect in the circuit; instead of routing traces to have all the connections at one edge of the board.

I also think there's a difference between something having chaotic wiring and something having sloppy wiring. I define sloppy wiring as things like unnecessarily long wires crammed in there and held in place with electrical tape. Basically, it's long wires that I don't like - so, I'd say I'm with Mr. Orman on this one.
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Post by Dirk_Hendrik »

Or,
(almost) no wires:
viewtopic.php?f=13&t=5663

(And easier testability prior to casing)
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Post by Paul Marossy »

The first pedals that I built, all high gain distortions, were a rat's nest as far as the wiring is concerned. They always worked fine without giving me any problems.

I have gotten much better at wiring stuff very neatly since then, especially after building three tube amps. It's more of an asthetics thing to me these days, though.
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Post by sergedeep »

Interesting. When I think of spaghetti wiring, I actually think of exessively long wires, not "the shortest way"...

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Post by culturejam »

I aim for "neat", but let "short" have the right of way, so to speak.

I love the look of all that fancy right-angle wiring, but it always seems like a waste of wire. I'm cheap!! :mrgreen:

I always thought twisting wires together helped reduce noise?

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Post by Paul Marossy »

Take a look inside of a Marshall GV-2 Guv'Nor and you'll see a lot of wires packed into it. It's not exactly what I would call "neat", and the wires are not as short as possible. That's a pretty high gain pedal and yet it has no problems with oscillation. And it's not very noisy at all.
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Post by Duckman »

culturejam wrote:I always thought twisting wires together helped reduce noise?
If that the case, maybe there's a "rule" to do that properly and some wires may not be twisted avoiding you to get the inverse effect.

Anyone got an answer to that or... it's a waste of time?

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Post by soulsonic »

Well, I like to twist signal wires together with ground wires - especially the input signal wire. If you twist a signal wire together with a ground wire, it can act similar to a shielded wire. So, yeah, twisting wires together is definitely good sometimes, but you have to understand what's going through the wires first - if you just do it arbitrarily, you'll be asking for trouble!
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Post by telecaster »

:popcorn:
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Post by rocklander »

biffa wrote:I like to twist things too..soulsonic
honesty for instance.
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Post by bajaman »

looks like they let biffa out of the asylum again :roll:
they didn't even keep him for a month this time :slap:
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Post by Paul Marossy »

soulsonic wrote:Well, I like to twist signal wires together with ground wires - especially the input signal wire. If you twist a signal wire together with a ground wire, it can act similar to a shielded wire. So, yeah, twisting wires together is definitely good sometimes, but you have to understand what's going through the wires first - if you just do it arbitrarily, you'll be asking for trouble!
I agree, under certain circumstances. But contrary to what should be the case, I've had very neatly laid out pedals that had problems when they shouldn't have. :scratch:
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Post by RnFR »

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Post by RnFR »

i guess i should add something worthwhile to this thread as well, so i'll just say that while those right angles can look neat, they do weaken the wire a bit where they are bent, and i don't really feel comfortable with that.
on another note, recently i built a dirty boots in an enclosure that dictated that the switch be on the lid. this made a problem as to figure out what to do with all of that wire when the lid was off. i ended up routing all of the switch wires to one place, and then heatshrinking around them. not the best practice, but if i didn't do it, it would've been an ungodly mess. luckily it's not that high gain of a circuit, so i didn't have any problems. i'll try and get some pics up some time.

----

oh and btw- while i think mr. orman is probably right in this case, i still think his fuzz face looks more like a smoke detector than a guitar pedal! :mrgreen: :horsey:
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Post by bumblebee »

If I make pedals for myself they are pretty messy but I f they are for someone else they are neat.
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Post by DougH »

It's not about neatness vs. sloppiness. It's about how long the wires are and what they are next to.

My approach is short first, neat second. I think Jack's right but he's not advocating sloppiness per se. And I do find the "beauty contest" aspect of a lot of pro wiring jobs tedious. A lot of that stuff impresses neophytes but doesn't serve any practical purpose.
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