modman wrote:blanik wrote:i finally got a sound i love by changing the input cap (C1) to 0.039uF and the output cap (C7) to 0.022uF i think the output cap change made the biggest difference (i'll try putting C1 back to 0.01 and keeping the C7 at 22nF to see if the input has anything to do with the sound i got after i changed the C7)
really sound like a better BD-2 now

Just out of curiosity, at what setting do you have the drive/gain control? Up till now, nobody really much cared for the HC at higher maximum gain, where it turns fuzzy.
about the whole range! lol what i did with this project is a "travel BD-2", meaning, i wanted a small (small hammond box), low voltage, relatively clean booster with mad all out fuzz distortion... the BD-2 really shines with clean to slightly dirty headroom (my modded one at least, D3 and a whole side of the 4 clipping diodes = 3mm LED) so i wanted that kind of overdrive but with the possibility of switching full distortion for those "all out" song parts without having to haul a second pedal...
...soooo what i did was to box the HC in a regular 1290 hammond, wire it true bypass with a mini-switch DPDT, no LED, put a 3PDT (with an hi-brt LED with a 20k... battery should last a long time...lol) but use it to switch between two C50k pots, one set for slightly dirty boost (turns out good on an near clipping tube amp) and the other one set for near full drive... the mini DPDT is mainly there as a safety feature in case of a live IC failure, the challenge was fitting the 4 knobs (3 mains plus extra drive pot), the mini-switch, 9V adaptor and battery... ended up quite cool, i'll post pics later... (i never turn off my BD-2, i just turn down the guitar volume to clean-up, i wanted to keep that feature which is often mentioned as an HC characteristic)
on initial testing i really liked the HC but i was testing it on my P-90 guitar, when i tried it on my humbuckered (Chopper T) the low frequencies where killing the sound... hence all the cap testing i did...
so no matter the drive setting i think the in and out caps keep lows under control (i guess the C7 and 50k pot work as a stable high pass filter cause the pot is placed after the cap and it's other end is grounded, acting as a fixed resistor, effectively cutting lows throughout any pot settings... (my guess, i'm not a big electronics connaisseur...))