BAJA jfet high z in - low z out jfet buffer

Original effects with schematics, layouts and instructions, freely contributed by members or found in publications. Cannot be used for commercial purposes without the consent of the owners of the copyright.
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bajaman
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Post by bajaman »

Hi Guys and Girls
Here is a little circuit snippet that I have been using for some time - it eliminates the need for a triple pole switch and provides a very high input impedance (so you won't lose tone)AND a very low output impedance for driving other effects following.
ALSO - you will never be plagued by that switching pop that you get with most true bypass schems - this baby is virtually NOISELESS and transparent.
The circuit is by no means original - but you can stick it in front of any effect you like and enjoy noiseless non tone sucking nirvana :wink: :lol:
Just about any n channel jfet will work - I just have a real soft spot for the 2SK117 - call me sentimental but I really like these Toshiba jfets, and I am not the only one who does. :wink:
Do not ask for a layout - I usually build it on a very small piece of veroboard - you should give it a try yourself - it is not that difficult to do :D
Enjoy
cheers
bajaman
BAJA n channel jfet buffer

ps: if your effect does not have a suitable half rail voltage (4.5v with 9v circuits), then just use two 100k resistors in series, strung between the 9v rail and ground. Then connect the 1M input resistor to the junction of these two resistors and voila - all done :wink:

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MoreCowbell
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Post by MoreCowbell »

Nice useful little circuit snippet...thanks ! :)

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goaltoday
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Post by goaltoday »

Thanks Bajaman. I'm going to try on some ultramegahigh gain fuzzes I've never been able to get ride of POPs. :evil:

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Post by goaltoday »

I'm using this layout, resitor are mounted vertical and don't forget the cut under R2.
Be sure to check the orientation of the FETs you use, in this case a J201.

Click on it to large size version.
Image
bajaman wrote:... Tech 21 use a 2SK 117 as an input buffer in their Classic Sans Amp pedal ... In my humble opinion, this is why these products sound so nice to my ears ... and strongly urge others here to give it a try
I'm going to try it with a DPDT on the output just like the Sansamp Classic.Thanks again. :D
Last edited by goaltoday on 02 Nov 2007, 02:37, edited 1 time in total.

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bajaman
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Post by bajaman »

Hi goaltoday
Good layout :wink: :D - but make sure you get the fet in the right way :roll: , the 2SK117 has DGS looking at the writing with the legs pointing down. Your layout shows DSG which is better suited to 2N5457, MPF102 or J201 types - all of which should work okay in this application :) .
enjoy
bajaman

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goaltoday
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Post by goaltoday »

Yes, you're rigth I'm using a J201. I'm going to advertise it on my post to avoid confusions.

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bacaruda
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Post by bacaruda »

very useful, thanks bajaman. :)

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p.eat
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Post by p.eat »

Hi Bajaman,

is the buffer suitable for Bass, or are there any substitutions needed? Also can the buffer run off of 18V?


thanks in advance,

Peter

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R.G.
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Post by R.G. »

bajaman wrote:ps: if your effect does not have a suitable half rail voltage (4.5v with 9v circuits), then just use two 100k resistors in series, strung between the 9v rail and ground. Then connect the 1M input resistor to the junction of these two resistors and voila - all done :wink:
Some high-output guitars will distort on this because the source of the JFET is going to be 0.5 to as much as 3V above the bias voltage. N-channel JFETs bias with their sources higher than the gate.

Do the same biasing procedure, but put a voltmeter across the source resistor. Tweak the bias resistors to get the source close to half of your supply voltage. It doesn't have to be precise, but you do give yourself maximum headroom if it is.

If you have only single coils, you may not need this. Likewise, it depends on your JFET. The J201 has the lowest Vgs I've ever found, 0.3 to 1.0, so it almost doesn't matter on a J201. The 117 can have up to 5V if I remember right, so if you get a worst-case device, you could be bumping up against the power supply all the time.

That ... might... sound good, as this is what the Dallas Rangemaster does with germanium transistor, but it's not a transparent buffer if it does.

Anyway, something to think about.

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Post by bajaman »

is the buffer suitable for Bass, or are there any substitutions needed? Also can the buffer run off of 18V?
Yes to both questions :wink:
Thanks RG for your informed comments - perhaps the two bias resitors could be replaced by a single 100k trim pot and the source voltage adjusted to half the supply voltage :?:
cheers
bajaman

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p.eat
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Post by p.eat »

Hi,

I've got another question. If I want to permenantly use the stage as a frontend, I can skip the 560R, 100K and 2µ2. Is that correct?

thanks,

Peter

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bajaman
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Post by bajaman »

If I want to permenantly use the stage as a frontend, I can skip the 560R, 100K and 2µ2.
Yes and no :wink:
You must use some form of capacitive coupling on the output (source pin of fet),so it depends a lot on what you are intending to use as the next stage :wink:
bajaman

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mantralux
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Post by mantralux »

This project is perfect for someone like me trying to learn the basics of veroboard and electronics...but as a beginner I have some n00b questions:

1: How do I connect the input/output wires to the jacks?

2: I'd like to use a 9V input, not a battery...would the layout change?

3: I'd like to eliminate a switch altogether and just have an "always on" type pedal, what do I change to make this possible?

4: I'm following the veroboard layout posted by goaltoday, but I want to use the 2SK117 transistor instead of the J201. Would I place a 2SK117 differently?

5: Could I use Mallory 150 capacitors (630v) as capacitors? What would this do to the sound?

I'm just looking to build a really transparent high quality buffer to try and understand stompbox building. I need it for my all bypass pedal board with long cable runs.

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Post by BennyBoop »

Nice little circuit Baja! :thumbsup

How do I adapt it to be a separete buffer pedal? Thinking of building a buffer pedal with two separete buffers and a non buffered loop for fuzzes and wah. I mean, Guitar -> buffer -> FX-loop ->buffer -> amp. (?)

EDIT: With a mute switch, that also switches to tuner out.

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Post by moltenmetalburn »

how would I amend this schematic to use it permanently inside my guitar for low impedance output from my passive pickups? :scratch:
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Post by Güero 2.0 »

bajaman wrote: ALSO - you will never be plagued by that switching pop that you get with most true bypass schems - this baby is virtually NOISELESS and transparent.
Hi Bajaman,

That's a cool device! Thanks!! :applause:

I'll try this little circuit in my rig! :horsey:

So, I decide to provide to you guys a layout for this buffer. :thumbsup



Enjoy!
"Come squeeze and suck the day.Come Carpe Diem baby!"

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kaycee
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Post by kaycee »

Sorry if I'm being thick here, but which lug of the switch does the switch connection go to (ie. Effect in, effect out, jack in etc).

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Post by dirtybogner »

Please teach me.
Why are output 100K and 560R resistors there? Is that for transparency of the tone or electrical reason?
Isn't 2u2 coupling enough?

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Post by soulsonic »

The 100K keeps the output 2.2uF cap pulled down so that it doesn't cause a pop when switching. The 560R resistor protects against if the output were shorted to ground.
"Analog electronics in music is dead. Analog effects pedal design is a dead art." - Fran

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Post by dirtybogner »

Hi, Soulsonic, thank you very much for the reply.
To protect against shorting... I see. 
I have additional questions.
Why is it not good if the output were shorted? I think the output after 2.2uF cap has no voltage. Is it for jfet behavior?
Sorry if this is basic question.

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